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	<title>johannes vermeer Archives - The Winter of Love</title>
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	<description>A Shakila Taranum Maan Film</description>
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		<title>The Winter of Love and The Use of Colour</title>
		<link>https://www.thewinteroflove.co.uk/the-winter-of-love-and-the-use-of-colour/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-winter-of-love-and-the-use-of-colour</link>
					<comments>https://www.thewinteroflove.co.uk/the-winter-of-love-and-the-use-of-colour/#respond</comments>
		
		<dc:creator><![CDATA[Shakila]]></dc:creator>
		<pubDate>Sun, 06 Feb 2011 15:00:20 +0000</pubDate>
				<category><![CDATA[the winter of love]]></category>
		<category><![CDATA[amarjeet kaur nandhra]]></category>
		<category><![CDATA[british director]]></category>
		<category><![CDATA[british film]]></category>
		<category><![CDATA[johannes vermeer]]></category>
		<category><![CDATA[southall]]></category>
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					<description><![CDATA[<p>In The Winter of Love (formerly ‘A Quiet Desperation’), the use of colour and choices were paramount to establishing character and the mood of the story.By choosing to make the film primarily in winter and parts of it shot in early summer, the colour and mood were set. Locating the film in Southall also meant [&#8230;]</p>
<p>The post <a href="https://www.thewinteroflove.co.uk/the-winter-of-love-and-the-use-of-colour/">The Winter of Love and The Use of Colour</a> appeared first on <a href="https://www.thewinteroflove.co.uk">The Winter of Love</a>.</p>
]]></description>
		
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